WHY I DON’T EDIT MY PHOTOGRAPHY! BY: LORAA WHITE

WHY I DON’T EDIT MY PHOTOGRAPHY!

Controversial opinion, female directors have a better eye for model photography. Let me tell you why.

You see me rock up to the studio, the first thing you will see is my dress sense. Not one shoot has anyone seen me in baggy, tasteless clothes. I arrive looking like you can’t afford to hire me. And what does that tell you? It tells you that I have been up at all hours cleaning myself, selecting what to wear, applying the makeup, wear the selected clothes, preparing breakfast for my son, all whilst coming up with concepts for how an image can look and how I’m going to tackle this shoot.

What do you think goes on behind one photo?

Well, believe it or not, I have a whole team behind me, from stylists to lighting gaffers, they are literally the skeleton of my work. Honestly, if I didn’t have the list of people you see below, I would struggle.

* Make-up artist
* Lighting Gaffer
* Hairstylist
* Costume stylist
* Set Designer
* Intern
* My Producer, Gareth (can’t cope without him)

Your standard shoot would have a white backdrop and Bob’s your uncle it’s simple and there’s not much to it. However, I am not a fan. I like gorgeous designs, but not too busy because the main focus is the model and that’s what’s always important. So with my team behind me doing all of the structure of the set and work with the model, it truly elevates the image to a higher plane.

Now, make-up. I have all the faith in my make-up artists, but as a director, I want to know exactly what is happening, especially, and most importantly, how my model looks. Not to shade the straight male directors, but I would have a better eye if the model doesn’t look quite right when make-up is applied.

Now if you want a fandabbydosey image, you need to work a fecking camera. Simple as that. What lens to use, the angles you take. I am in love with my Sony a6500 with my Sigma 18-35mm 1.8f lens, can’t use it enough for my filming and photography. Also, trust me, models have good and bad angles, communicate with them on what they are, work around their imperfections and make them perfect.

All of these elements will equate to a high quality, orgasmic image that would not need extended work done to it, maybe sometimes a wee tad of a skin touch up but that’s it.

Below is an example of a shoot, shot in our BMV Studios, with Wine Knocker in collaboration with JAMMco. Enjoy!

Author: Loraa White & Gareth Greenfield

WORKING WITH AFRICAN MUSICIANS!

Working with African Musicians!

Social Integration is a big thing here at Budget Music Videos. We have worked with multiple different artist from different backgrounds, nationalities and all sorts of genres. Although we are based in the UK, our staff are from various ethnic cultivations including India, Canada and Mauritius.
Not only do we work with these artists we are able to understand and execute their visions and we have created great relationships with them, be it afrobeat artists from African or home-grown urban artist from UK to pop stars from eastern Europe we have worked with them all. www.budgetmusicvideo.co.uk
One ethnic group that have stuck with us and also grown over the years are Africans.  Back in 2014 our CEO met Nigerian producer Moe Musa at a networking event. Following this event, we went on to work with a manifold of African artists and produced videos such as, Patoranking ft Tiwa Savage – Girlie O Remix, Ommy Dimpoz – Ndangushima and also worked with the likes of Davido and kida Kudz.
After this conjunction with Moe Musa we experienced an influx of African artists wanting to avail of our services. Of recent we have worked for Gospel artists as well as Afrobeat artists and we are enjoying services this market. Check out one of our most recent videos from an African Artist:

Author: LUKEY

WHAT MAKES A GOOD MUSIC VIDEO DIRECTOR?

What makes a good music video director?
It is important for artists to know what makes a good music video director in order to get the best end product. At Budget Music Videos, we are passionate about what we do. We take time to listen actively to what an artist needs and we have a multi – skilled team to help musician’s visual speculation become a reality.

We feel it is important for a music video director to know the medium and be up to date with the styles of videos out there (which are constantly changing). A good video director needs to be creative in their ideas, shooting style, location scouting and editing.
A good music video director should have a good team behind them and understand they can’t do it all. It is also essential for a music video director to be able to hear a song and have a mental image of how it could be visualized, here at Budget music videos we are confident we possess all of these qualities. www.budgetmusicvideo.co.uk 
Check out our recent documentary film about the day in the life of a music video director:

Author: LUKEY